A whole-home cabinetry package for a single residence, produced as two matching sets. Every piece was custom-built to the room it stands in, approved off a render and a physical finish sample, and delivered on one schedule.
Colours were matched to the paint codes on the finish schedule rather than picked from a door range. Hardware, glass, upholstery and lighting were called out piece by piece before anything was cut. Walk it room by room below.
At published retail, this millwork and stone package prices well into six figures. The difference between that and what the builder actually spent went into the elevator and the rooftop terrace.
Both figures cover the millwork package only: eighteen pieces across 147 linear feet. They do not include lighting, plumbing, flooring, tile or fencing. The lighting chapter is a proposed schedule rather than supplied scope and carries no price.
Every LED built into the cabinetry is in that package figure: the walk-in closet runs, the bar niche, the coffee bar uppers, the bookcase shelves, the lit shelves in the hallways. All of it is low voltage and plugs in, so the electrician lands a supply and the cabinet does the rest.
The retail reference is set below the floor of the published ladders it is drawn from, on purpose. Every figure behind it is a third party's own published price, listed in the millwork chapter and in the retail benchmark.
You send elevations and a finish schedule. Each piece comes back as a dimensioned shop drawing with hardware, glass and upholstery called out.
You approve the drawing and a physical finish sample before anything is cut. The sample you sign is the finish that ships.
Pieces arrive built to the opening, so your trades hang and level rather than scribe and improvise.
Soft-close hinges and undermount slides on every drawer, push-open wherever the face carries no handle.
Each piece below carries the rungs we can show today. Drawn and approved are on file for all of them. Installed and in use fill in as the finished rooms are photographed.
A main run, an island, a full-height pantry and a coffee bar, drawn as one zone so the finishes carry across all four.
Matt lacquer flat panel matched to a paint code off the finish schedule. Glass-front uppers, fluted glass, spice and cutlery drawers, pull-out tall trash, soft-close throughout.
Full-height pantry, matt lacquer to a specified paint code, six sets of soft-close undermount drawers behind the doors.
Its own zone off the kitchen. Base run with a stone top and glass-front wall cabinets above, drawn rather than assembled out of leftover modules.
A linear suspension run down the length of the island, or a row of pendants spaced to it. Length is set by the island, not by a catalogue size.
Where a house takes the most abuse and shows the most guests. Bronze-framed glass dividers, an upholstered bench, and closed storage that hides the mess.
Bronze metal frame with clear tempered glass, made as a room divider rather than a cabinet.
Upholstered back and face in cream boucle, push-open fronts, no visible hardware on the face at all.
Dark green suede upholstery against a bronze mirror back, built into the entry wall.
Fitted entry closet with black hanging rods, interior drawn to the opening rather than shimmed into it.
A statement piece at the entry, drawn to the ceiling height and the sightline from the floor below. Chandelier or cascade form; the cascade suits a double-height void where a single fixture would read as undersized.
Two arched display cases cut to the wall openings, and a lit bar niche with a stone counter set into the wall it stands in.
Paired arched display cases, radius drawn to the wall openings rather than trimmed to fit a stock box.
Arched niche with integrated LED shelf lighting and a stone counter, drawn to the wall it sits in.
A chandelier as the ceiling piece, with floor and table lamps carrying the same finish family into the corners of the room.
The same wardrobe carcase family re-drawn to two different wall widths, rather than two stock units and a filler panel.
Hanging, shelving and four sets of soft-close undermount drawers behind a flat front.
Same carcase family as bedroom one, re-drawn to a different wall width instead of filled out with a panel.
A walk-in behind black-framed tea glass with lit hanging runs, and a double vanity under paired arched mirrors.
Black aluminium framed tea-glass doors, twelve sets of soft-close undermount drawers, 4000K LED through the hanging runs.
Double vanity, four sets of soft-close undermount drawers, paired arched bronze-framed mirrors.
A ceiling fixture over the bed with bedside pendants or sconces either side, all built in one finish family so the room reads as one decision.
Three more vanities, each drawn to its own room, all pulling from the same finish and mirror family.
Matt lacquer to a specified paint code, stone top, two round bronze-framed mirrors.
Push-open drawers under a stone top, arched bronze-framed mirror, no handles on the face.
Three sets of push-open drawers, stone top, arched bronze-framed mirror to match the others.
Sconces flanking each mirror, set against the eye line rather than a standard mounting height. The vanity is the slot that most often fails a whole-house lighting schedule.
The rooms that usually get whatever is left over. Here they were drawn with the same set as the kitchen.
Base, wall and tall runs over the machines, matt lacquer to a specified paint code, black hanging rod.
Wall-length run with an open shelf and closed storage, drawn around the room's return.
Everything the camera saw that is not already on a piece above: the stone, the taps, the tub, the drawers open. Each caption names the room and, where there is one, the piece it belongs to.
The same build, category by category. Each one opens when its documentation is complete, which is why some of these are still a line of text rather than a page.
Eighteen pieces, 147 linear feet, one finish family, drawn room by room and priced against the published ladders.
Sourced for this build. Chapter opens when its documentation is complete.
Sourced for this build. Chapter opens when its documentation is complete.
A proposed schedule for this house, not what was supplied. The lighting source document has not been received.
Cabinets and millwork
Eighteen pieces across 147 linear feet, every one drawn to its room.
Metal and glass
The bronze-framed screen dividers in the entry, made as a room divider rather than a cabinet.
Tile and stone
Sourced for this build. Outside the millwork package price above.
Plumbing fixtures
Sourced for this build. Outside the millwork package price above.
Lighting
A proposed schedule for this house, not a record of what was supplied.
Elevations, a finish schedule, or a marked-up plan is enough to start. Cabinetry is quoted alongside anything else on the same schedule, with the delivered window stated in writing: about 90 days from confirmed specs and deposit.